O Acidente
The cyclist Joana is involved in an odd accident, where she is carried on the hood of a car for a block. Joana leaves unharmed and decides to hid this incident from her partner Cecilia. When a strange video of the accident emerges, Joana's omission is exposed. She starts little by little to get involved in the life of the family who run over her.
Credits
| Original Title | O Acidente |
|---|---|
| Title | O Acidente |
| Directed by | Bruno Carboni |
| Country | Brazil |
| Year | 2022 |
| Screenplay | Marcela Ilhar Bordin, Bruno Carboni |
| Film Editing | Germano de Oliveira, Bruno Carboni |
| Soundtrack | Maria Beraldo |
| Cinematography | Glauco Firpo |
| Sound | Tiago Bello, Marcos Lopes |
| Costumes | Gabriela Guëz |
| Production Design | Richard Tavares |
| Production | Vulcana Cinema, Toyko Filmes |
| Formats | DCP |
| Runtime | 95 min. |
| Language | Portugiesisch |
| Cast | Carol Martins, Carina Sehn, Luis Felipe Xavier, Gabriela Greco, Marcello Crawshaw |
Credits
| Original Title | O Acidente |
|---|---|
| Title | O Acidente |
| Directed by | Bruno Carboni |
| Country | Brazil |
| Year | 2022 |
| Screenplay | Marcela Ilhar Bordin, Bruno Carboni |
| Film Editing | Germano de Oliveira, Bruno Carboni |
| Soundtrack | Maria Beraldo |
| Cinematography | Glauco Firpo |
| Sound | Tiago Bello, Marcos Lopes |
| Costumes | Gabriela Guëz |
|---|---|
| Production Design | Richard Tavares |
| Production | Vulcana Cinema, Toyko Filmes |
| Formats | DCP |
| Runtime | 95 min. |
| Language | Portugiesisch |
| Cast | Carol Martins, Carina Sehn, Luis Felipe Xavier, Gabriela Greco, Marcello Crawshaw |
Pro Material
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Press voices
«Eine vielschichtige Erzählung über Moral und Akzeptanz.» Cineman, Maria Engler
«Premier film prometteur du cinéaste brésilien Bruno Carboni, porté par l’excellente Carol Martins, O Acidente va évidemment au-delà du fait divers réel qui l’a inspiré. En mettant face à face deux mondes, l’un progressiste et l’autre traditionaliste, il se veut le miroir du Brésil d’aujourd’hui et des divisions qui agitent la société. À la faveur d’un scénario subtil et d’une mise en scène sensible, il évoque une réconciliation possible en laissant place au dialogue.» Magazine 360°, Edmée Cuttat