Au hasard Balthazar

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In the French countryside near the Pyrenees, a baby donkey is adopted by young children - Jacques and his sisters, who live on a farm. They baptize the donkey (and christen it Balthazar) along with Marie, Jacques' childhood sweetheart, whose father is the teacher at the small school next-door. When one of Jacques' sisters dies, his family vacates the farm, and Marie's family take it over in a loose arrangement. The donkey is given away to local farmhands who work it very hard. Years pass until Balthazar is involved in an accident and runs off, finding its way back to Marie, who is now a teenager. But her father gets involved in legal wrangles over the farm and the donkey is given away to a local bakery for delivery work. Gerard, leader of a young criminal gang, is the delivery boy at the bakery, and so takes charge of the donkey, treating it cruelly. Marie, driving a 2CV one day, sees the donkey at the roadside and stops to greet it. Gerard, who'd been sleeping nearby, gets into her car. They have sex, and then she drives home. Marie later enters into an abusive relationship with him, leaving her parents. Gerard is summoned to the local police station and questioned about a murder, along with Arnold, an alcoholic who is also a suspect. Neither is arrested. Balthazar becomes ill, and Arnold takes the donkey off Gerard's hands.
Balthazar recovers and Arnold uses the donkey and another to guide tourists around the Pyrenees. When the season ends, Balthazar escapes and joins a circus. But when the donkey sees Arnold in the audience it goes berserk, and Arnold retrieves it. Arnold's uncle dies and he inherits a fortune. He throws a wild party at a bar, and then is put on Balthazar's back to ride home. However, he is so drunk he falls off, hits his head on the ground and dies. The police send Balthazar to market. A local miller buys the donkey, using it for pumping water and milling. One rainy night, Marie, soaking wet, knocks on the miller's door asking for shelter - she has run away from Gerard. The miller says he'll be her friend and help her to 'escape' - but next morning sees her parents and offers them the donkey, the inference being that Marie will follow. Marie goes back to her parents. Jacques visits, wanting to marry her and also saying his father does not want the money the court ordered Marie's father to pay him. But Marie is not sure she wants to marry Jacques. She says she wants to 'have it out' with Gerard and goes to visit a barn where they used to meet. Gerard is there with his gang, and they strip her, beat her, then lock her in.
Marie's father and Jacques find her and break a window to get in. They take her home, pulled in a cart by Balthazar. Later Jacques wants to see Marie, but her mother comes downstairs and says 'she's gone and will never come back'. Marie's father dies shortly after, when visited by a priest. While Marie's mother is grieving, Gerard turns up with his gang and asks if he can borrow Balthazar. Ostensibly it's for a procession, but they use the donkey to carry contraband for smuggling over the border. At night, when Gerard and accomplice are supposed to be meeting their contact, they are instead shot at and they flee. Balthazar runs off and hides in bushes. In the morning, we see Balthazar has a gunshot wound. A shepherd and flock comes. The sheep gather around Balthazar, their bells jangling, as he lays down and dies.

Festivals & awards

Mostra del cinema Venezia 1966: New Cinema Award, OCIC Award, San Giorgio Prize

French Syndicate of Cinema Critics: Critics Award

Faro Island Film Festival: Golden Train Award

Cahiers du Cinéma: Top 10 Film Award, Best Film



Original Title
Au hasard Balthazar
Au hasard Balthazar
Directed by
Robert Bresson
Robert Bresson
Film Editing
Raymond Lamy
Jean Wiener
Ghislain Cloquet
Antoine Archimbaud, Jacques Carrère
Production Design
Pierre Charbonnier
Mag Bodard
95 min.
Anne Wiazemsky (Marie), Walter Green (Jacques), François Lafarge (Gérard), Jean-Claude Guilbert (Arnold), Philippe Asselin (Vater von Marie), Pierre Klossowski (Händler)

Pro Material

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Press voices

«Bresson legt nahe, dass wir alle Balthasars seien. Trotz unserer Träume, Hoffnungen und Pläne wird die Welt schließlich mit uns so verfahren, wie sie es nun einmal tut. Weil wir denken und schlussfolgern können, glauben wir, wir könnten einen Ausweg, eine Lösung oder eine Antwort finden. Aber Intelligenz verschafft uns zwar die Fähigkeit, unser Schicksal zu begreifen, doch ohne die Macht, es auch zu kontrollieren. Dennoch lässt uns Bresson nicht mit leeren Händen zurück. Er bietet uns Mitgefühl als Rat an. Wenn wir über uns selbst hinausgehen und nachempfinden, wie andere fühlen, dann können wir Trost darin finden, menschliche Erfahrung zu teilen, statt sie in Einsamkeit alleine zu ertragen.»

Roger Ebert