The Boat Is Full

Picture of

A group of refugees who have been thrown together by chance managed to secretly cross the border into Switzerland during the last war. None of them knew that this refuge was deceptive, since refugees “only for racial reasons” had no right to asylum and the borders had been closed to foreigners for some time. Halfheartedly accepted by Swiss citizens and half betrayed, the refugees are prepared to give themselves up in order to save their skins. They join together to form a grotesque family in order to fulfill the requirements of the Immigration Office for exceptions to the rules. The act lasts only for a short, deceptive period before the homeland reasserts itself and the homeless pay with their lives. At the time of the action, I was one year old. I never heard anything about it at school – only the contrary.

Festivals & awards

Oscarnomination – Best Foreign Film, 1982
Filmfestspiele Berlin, Silberner Bär (bestes Drehbuch und beste Schauspielführung), 1981
Prix de la Fédération Internationale de la Presse Cinématographique (FIPRESCI), 1981
Prix du Comité International pour la Diffusion des Arts et de la Littérature par le Cinéma (CIDALC), 1981
Prix de l’Office Catholique International Cinématographique (OCIC), 1981
Filmpreis der Stadt ZĂĽrich, 1981
Grand Prix du 10ème Festival des Droits de l’Homme à Strasbourg, 1981

artwork

Credits

Original Title
Das Boot ist voll
Title
The Boat Is Full
Directed by
Markus Imhoof
Country
Switzerland
Year
1981
Screenplay
Markus Imhoof
Cinematography
Hans Liechti
Production Design
Max Stubenrauch
Production
Limbo Film AG
Formats
DCP, Blu-Ray
Runtime
100 min.
Language
Swiss German, German/d+f+e+it
Cast
Tina Engel, Curt Bois, Renate Steiger, Mathias Gnädinger, Michael Gempart

Pro Material

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Press voices

«Sinnliche Bilder, die anrühren, unter die Haut gehen; Figuren, die dem Schweizer Alltag entnommen sind; Gefühle, die man auf Anhieb versteht; eine Sprache, die vertraut klingt. Imhoof gelingt Atmosphäre, Glaubwürdigkeit, Spannung, Momente von Beklemmung, Schmerz und Trauer.» NZZ

«Imhoof shows indications of a masterful director.» The Washington Post

«Überfremdungsängste sind noch nie so spannend und differenziert zum Thema eines Spielfilms gemacht worden.» Weltwoche