The Flavor of Green Tea Over Rice

von Yasujiro Ozu, Japan, 1952
Bild von

Taeko (Michiyo KOGURE), a woman with a genteel upbringing, married country-bred Mokichi (Shin SABURI) on the recommendation of her father. She has lived with her husband for several years without ever feeling any great love for him, and her boredom has grown in direct proportion with the affluence of her surroundings. She feels lonely despite her married status, and her heart is constantly burdened by the monotony of it all. Meanwhile, although Mokichi doesn’t show it, he secretly feels the same way as Taeko. Their subtle emotional discord reaches an explosive apex when the issue of marriage arises for Taeko’s niece Setsuko (Keiko Tsushima). Then, on the same day that Taeko leaves home to visit Kobe, Mokichi is suddenly saddled with a overseas business trip, and he ends up boarding his plane in the absence of his wife.

Following his previous work “Early Summer,” OZU drastically shifted his focus to depict the nature of love between a middle-aged married couple, and in addition to its mellow taste, it adopts a lighthearted approach with an abundantly comedic touch reminiscent of the director’s renowned “What Did the Lady Forget?”. As the title suggests, it discovers domestic bliss in the taste of green tea over rice, which happens to be savored by a mature husband and wife whose relationship is in jeopardy due to their different upbringings and personalities.

artwork

Credits

Originaltitel
The Flavor of Green Tea Over Rice
Titel
The Flavor of Green Tea Over Rice
Regie
Yasujiro Ozu
Land
Japan
Jahr
1952
Drehbuch
Kogo Noda, Yasujiro Ozu
Montage
Yoshiyasu Hamamura
Musik
Ichiro Saito
Kamera
Yuharu Atsuta
Ausstattung
Tatsuo Hamada
Produktion
Shochiku
Länge
116 Min.
Sprache
Japanisch
Schauspieler:innen
Shin Saburi (Mokichi Satake), Michiyo Kogure (Taeko), Koji Tsuruta (Noboru), Chishu Ryu (Sadao Hirayama), Chikage Awashima (Aya Amamiya), Keiko Tsushima (Setsuko)

Pro Material

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Pressestimmen

«This portrait of married middle age is deliciously flavoured with mystery and melancholy» The Guardian, Peter Bradshaw